Colin North wrote:
Nice, Jimmyjames, Lottawork!
I'd be frightened to bring a saw near a bench like that!
BTW - my feet are jealous of the carpet in your workshop.
Carpet is not ideal since cleaning it is a major hassle. When I built it I lived in a tiny urban apartment and this was my living room. Inexplicably, the OCD little woman didn't complain at all, she understood how badly I wanted this. I now have a dedicated workshop with a plywood floor. I've been saving wine corks and eventually I'll have enough to make a mat large enough to span the distance of planing.
I use my bench with complete abandon. There are saw marks and glue and divots all over it. I originally brushed on shellac to completely seal it but I just planed it flat again for guitar making. I may try linseed oil this time to see how "grabby" it is. Shellac is a tad slick and the movement of parts is troublesome.
To anyone wanting to make a bench like this: I followed Sam Allen's _Making Workbenches_ a great book. Allen make everything clear and the design utilizes compression strength for rigidity. There's steel rod running all through this thing and it does not rack. The store bought benches rack considerably. The only way to get this kind of solidness is to spend five grand or make it yourself. Don't be fooled by the benches in the catalogues, they're really not strong or stable enough to do accurate work. I checked out all the commercial benches I could find and not one stayed square under pressure. Too much energy is wasted in a bench that moves.
Making this thing with no bench to create the parts was a major challenge. I studied drawings of Japanese methods and I got really good at sharpening.
I wouldn't hesitate to put several tons of weight on it.
-j